The rise in use of polyester over organic fibres in manufacturing textiles has led to an increased push for cheap, disposable clothing by fast fashion brands.
Clothing accounts for one-fifth of global plastic production and produces ten percent of global carbon dioxide emission.
Only a small percentage of clothing is recycled leading to the rest ending up in a landfill or incinerated. This issue is exasperated by 30-40% over-production by fast fashion brands.
Gathering & Curating Data
Understanding My Audience
Ideation & Concept Development
I broadly sketched out ideas for depicting individual elements of the narrative, considered visual language and possible semiotic references such as piling, choking, endless, and so on.
I investigated ways to transcend the psychological boundaries of scale, time, geography, and philosophy [ 1 ]. This exercise enabled me to take a step back and re-evaluate the key message I wanted to convey and its emotional impact on my audience.
The pile — a comparison
Two piles of ground plastic flakes are placed on the floor, one larger than the other to represent the quantity of clothes produced vs. discarded on landfills every second. One piece of polyester clothing is represented by one gram of these flakes. Plastic was used as an indexical reference to represent polyester. These flakes are ground from used milk cans (HDPE) and are recyclable.
The thread — a timeline
I used twine as material to depict the timeline of a piece of cloth as it goes from production, usage, to discard.
1 cm of twine represents one week. At the edge of the production pile, the thread is twisted around a small piece of wood to represent the two weeks taken by fast fashion brands to go from design to manufacturing a new line of apparel.
Finally, once the cloth has reached the landfill, it stays there, slowly decomposing for a seemingly endless 200 years. To depict this massive difference in time, I used 104 metres (2 x 52 weeks) of twine that is interleaved wall to wall, creating a large, ominous form that seems like threads of a cloth loosened and falling apart.
The discord in this work captures the contrasts between fast and slow, the shortness of our desires and the longness of their consequences.
Project installation at the Work In Progress show at London College of Communication
- Gregor Garber, 3D workshop at LCC
- Natalie Murphy, 3D workshop at LCC
- Ompteda, K. (2019, October 20-25) Data Manifestation: Merging the Human World & Global Climate Change. IEEE VISAP, Vancouver, BC, Canada. IEEE